New mythologies for Modern Americans through Movie Theaters Term Paper

New mythologies for Modern Americans through Movie Theaters - Term Paper Example It is also not exact by facts that can be a total lie, partial truth or just an image and not true in its form. It drives the power of beliefs of individual and even groups of people. It is believed but not accurate like the history. Words play the part as approximation tool for the truthfulness behind the myth (Dowden, 1992, p. 2). Myth or mythology is the history or legend of certain phenomena that are not explainable by science and is attributed to the divine intervention. It comes from the Greek words mythos, logos and fable which all pertain to discourse or description. Being familiar with Mythology, people in the modern times would have the ability to learn from the lessons of the past and understand the hidden messages within (Irving, 1822, p. 5). Mythology is a traditional way of addressing and explaining occurrences based upon the tales of gods and goddesses and heroic adventures. Mythologem is the Greek term for the unchangeable famous tales. Mythology is different from myt hologem as it is solid but dynamic and continuously changes without losing its identity (Jung and Kerenyi, 1941, p. 3). Mythology has been linked with literature as it was once presented in verse. Prose was later on adapted to suit the oral culture. Logos is a noun that means speak as its counterpart verb is legein (Dowden, 1992, p. 3). Mythology can be linked to idolatry because of images projected as part of worship. Idolatry comes from two Greek words: eidolon and latreia which both pertain to worship of image or beliefs in beings with superior powers (Hort, 1825, p. 1). Movie theater is popular as proven by history but it experienced its glory and downfall. Films being shown must have a certain degree of mystery that can captivate the attention of people and turn them into audience. In making progress in movies, mistakes are inevitable for it will bring brighter future for the movie theater industry. When the movie created is just for earning purpose, it could not captivate the audience well and target audience would not appreciate. While the point of a great film is now one-of-a-kind achievement, the commercial cinema has settled for a policy-filled, derivative film-making, a combination and repetition of past techniques to assume success like in the past. Cinema was once of the great art produced in the 20th century but the cinephilia or the love and attraction being inflicted to the audience diminish at present. Each art gives progress and development to its fanatics, but the love that cinema inspired was special. It started from the premise that cinema was a unique art: modern, accessible, poetic and mysterious and erotic and moral at the same time. Cinema had followers like religion. Cinema can even be compared to a crusade. For cinephiles, the movies are their life. Cinema was considered as both the book of art and the book of life. About the year 1895, two divisions of films were created: cinema as the reflection of real unstaged life and cinema as invention or creation of the human mind. But this is not a true opposition. The whole point is that, for those first audiences, the very transcription of the most banal reality -- the Lumiere brothers filming "The Arrival of a Train at La Ciotat Station" -- was a fantastic experience. Cinema began in wonder, the wonder that reality can be transcribed with such immediacy. All of cinema is an attempt to perpetuate and to reinvent that sense of wonder (Sontag, 1996). Cinema is like a modern church stand and it is